::LANGFIELD ENTERTAINMENT:: ENTERTAINMENT NEWS WITH A CANADIAN TWIST::

SmileyCentral.com


                                               

                                               

::NEWSLETTER

::GALLERY

::INTERVIEWS

::CONTACT US

::CARIBBEAN COVERAGE

::FEES

::ARCHIVES

::ABOUT US

::CLIENTS

::ENDORSEMENTS

::OPINIONS

 
 
 
 
 
 
 
 
 
 
 
 
 
 
::FILM NEWS::   
LE Newsletter - March 18, 2010

 

  This Movie Isn’t Broken. It Rocks

Source: www.globeandmail.com - Jennie Punter, Austin, Texas

(March 17, 2010) Veteran Toronto director Bruce McDonald is showing his new film at the hottest convergence in North America, the annual South By Southwest (SXSW) festival. This Movie Is Broken is a creative collaboration that reflects the spirit of this unique event, which presents film premieres, an interactive conference and music showcases to tens of thousands of mostly young attendees.

This Movie Is Broken film blends a fictional story, written by McDonald’s old pal Don McKellar, with a memorable outdoor concert by venerable Toronto rock ensemble Broken Social Scene, which was held in front of a hometown crowd during last summer’s garbage strike. McDonald, whose films include the beloved rock ’n’ roll-fuelled Hard Core Logo and last year’s Pontypool, says the band did much more than deliver a stellar onstage performance.

“The core members were involved in the casting process, through shooting the drama and offered feedback during various cuts,” says McDonald in Austin, after finishing a Mexican lunch. “In particular [BSS band member] Kevin Drew, who has also made some short films, really liked the notion of doing a movie that wasn’t just a straight concert film and contributed some great script ideas.”

With Broken Social Scene playing two evening sets at SXSW, the festival is undoubtedly the ideal setting for the film’s first public screenings. But it was a race to the finish line to get it here. Just last week, sound and picture were still being tweaked. And with McDonald on location in Louisiana shooting a documentary, McKellar had to take over directing for the final post-production rush. The project, McKellar says, has been fast and fun from beginning to end.

“Years ago I thought about incorporating a dramatic arc into a concert film and so when Bruce called to see if I had any ideas, he was enthusiastic,” says McKellar, who wrote the script just two weeks before the concert. The team was able to secure a bit of financing, including support from Rhombus Media (Alliance Films will eventually release the film in Canada).

“Part of the fun was that it all had to be filmed that day,” McKellar continues. “The intersection of drama and a real concert was the chief selling point, but of course on the practical side it presented a huge logistical challenge.”

In the film’s story, Bruno wakes up beside his long-time crush Caroline, who is leaving for school in France the next day and wants to see her favourite band play that night. Bruno spends the day trying to get backstage passes with the faint hope of securing her affection before she disappears. “When I was writing I thought it would be great to use the garbage strike to locate the story in time and place,” McKellar says. “The strike worked like [Toronto’s 2003 citywide] blackout in that it galvanized the city, so when we were shooting during the day there was a nice community feel in the parks and on the streets.”

At dusk, when the action moves to the concert at Harbourfront, McDonald mobilized the troops. “Bruce’s great strength is his ability to galvanize a team,” McKellar says. “He brought in [documentary filmmaker] Peter Mettler to shoot concert stuff from the front of the stage — a lot of people were called to duty that day.” While McDonald worked with multiple camera crews on stage, McKellar was in the crowd with the actors. “It was all about mapping out a route and having people save spots,” he laughs. “The music was loud so I did a lot of yelling and hand signals.”

The end result not only captures a great performance but also reflects the “other side” of a concert experience — the little scenes playing out in the crowd. “I think the drama gives the whole film a nice energy as it jumps from the stage into the crowd,” McDonald says. “So the characters become our lens.”

This Movie is Broken screens tonight at the SXSW Festival in Austin, Texas. The festival runs to March 21.

Special to The Globe and Mail.