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Kardinal Offishall's Time May Be Now
Source:
www.thestar.com - Ashante Infantry,
Pop & Jazz Critic
(September 07, 2008)
It's not surprising that a catchy tune would score
Kardinal Offishall a Top 5 hit in Canada; since his 1996 recording debut,
the Toronto native has garnered popular acclaim for a vigorous
melange of hip-hop and reggae, noted on tunes such as "Bakardi
Slang" and "Husslin'."
But what has industry watchers anticipating the Tuesday launch
of his third album,
Not 4 Sale, is that two weeks ago "Dangerous," the
lead single that features U.S. pop star Akon, landed at the No.
5 spot on Billboard's decisive Hot 100 singles chart.
Offishall has a bonafide crossover hit in America – an
unprecedented feat for a Canuck rapper since Snow hit No. 1 with
"Informer" in 1993. And he's not done setting records: tomorrow
he performs on the
Tonight Show With Jay Leno, another first for
Canadian hip hop.
"Pretty damn exciting," is how Offishall characterizes the
coveted appearance – on the same night as U.S. Olympian Michael
Phelps – though he can't recall where he was when he found out
he got the gig.
Turns out it's been a dizzying few weeks.
When the
Star sat down with the affable entertainer one
recent afternoon, he'd just got back to town after a month away,
performing in Europe and promoting the album in more than a
dozen U.S. cities.
Offishall, who is signed to Akon's Kon Live Records under the
Geffen Records umbrella, said it was crucial to lay the
groundwork for the album, which his Canadian distributors
initially scheduled for release at the beginning of the summer.
"Nowadays, the industry is just focused on a hot single and they
were afraid that it might lose steam," he said.
"I guess me and Akon are still keepers of the faith. We believe
that good music is still the bottom line; that a good song will
be a good song now and two months later."
Offishall can afford to be patient; after all, he's been on the
cusp before, when previous albums, Busta Rhymes collaborations
and tours with 50 Cent augured big things that never
materialized.
"Did I think that it would be 2008 that all this would be going
on, as opposed to maybe 2004? No. So to me, a couple weeks,
couple months, couple years ... the important thing was to try
to execute what we have been trying to execute all along – to
have an international successful project."
But success begets scrutiny and while Offishall has never
positioned himself as an exclusively conscious rapper, some
long-time fans are in a snit over his hot chick ode "Dangerous,"
which contains lyrics, such as,
I wanted to make my black snake moan/Talk and lick a bit then
take that on.
Is he selling out to compete with the likes of Lil Wayne and
Young Jeezy?
"Some people want me to kick rocks along with their favourite
underground MC," said Offishall, grousing about the erstwhile
boosters taken aback by his branching out. "If you're a true
fan, then you know I had (boundary-pushing songs like) `On Wid
Da Show,' `Money Jane' ... I'm not doing anything that's out of
my skin. You have to allow me to become that guy.
"I guess it's because every time somebody becomes that guy, they
become untouchable. We were in Miami the other day and we went
to a legendary spot in the 'hood where any big artist that's
come out of Miami has come through.
"Homeboy was like, `This is where Rick Ross got his start, Lil
Jon ... everybody came up through here, but we don't see them
any more.' It's that kind of feeling I get, that a lot of these
people have."
He'd rather his achievements emboldened other Canadian
entertainers.
"They think success for me equals success for every other artist
that comes out of Canada now. That's not the case, because
people have to understand the work that goes into it. They have
to absolutely make a million times more sacrifices than they
have been doin' . .. I'm just one dude from Toronto, but I'm
trying to create history with every line I spit."
And in keeping with his album's title, Offishall said he is not
compromising his integrity to do that.
"There's energy you can't buy – the essence of people that can't
be bought or bottled, and lives within them. That's how I feel
about myself – I can't be bought.
"That's why the relationship that Akon and I have is so dope:
it's based on mutual respect. He always loved my music and felt
it should never change. He just wants to enhance what was
already there and take it to the next level."
Encompassing hard-hitting hip hop, old school reggae and
inspirational ditties,
Not 4 Sale is vintage Kardi – as he's known to fans.
The difference is in the Akon hooks, top-shelf production and
A-list guests, such as T-Pain and Rihanna. Tyson Parker – a
vice-president at Universal, Offishall's Canadian label – is
only stating the obvious when he says, "This record has a chance
to be massive in Canada and the U.S."
But Offishall is well aware that one hit single does not
guarantee a best-selling disc.
"Akon's album only sold 13,000 in the U.S. the first week it
came out and went on to become a multi- platinum album; not
necessarily because the label supported him, but because he kept
grinding it out and doing whatever he had to and using his
resources to make it that way, and that's the same way that
we're looking at it," he explained.
So, he's not concerned about first-week sales?
"Uh-uh."
Not at all?
"No."
He wouldn't be hurt if he sold, say, only 5,000 copies the first
week?
"5,000? Yes, I'd be hurt. Most definitely!"
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